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Click on an image to learn more about the artist.
What
is a print?
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ADRIENNE
ARMSTRONG
This
series of prints are each a coming of age tale to be discovered
by the viewer.
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MICHAEL
BARNES
"
Michael
Barnes, an artist whose creature representations on paper are both
creepy and compassionate.
Hanging, tied, stretched, mounted
as trophies, the pathetic figures leave much to the imagination."
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Carl Glassman, Editor, The Tribeca Trib
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MARY
BERO
Every once in a while an artist comes along
and forces us to look at art a whole new way. Mary Bero has done
just that she takes the proverbial straw and spins it into gold
with her highly detailed works of thread, cloth, and paper.
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NICK
BUBASH
A
tattoo artist turned fine artist who graduated from the Pennsylvania
Academy of Fine Arts, Bubash informs his work, skillfully executed
in a variety of mediums, with a mélange of cultures harmoniously
blended together.
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Caprice Stapley, Kansas City Star
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LISA
BULAWSKY
The
subject of my work could fit under some droll and inclusive title
in the humanities like The Psychology of Culture or Psycho-American
Studies. I do consider my work to be reflective, if not diagnostic,
of the human condition.
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STEVE
CAMPBELL
Steve
Campbell knows how to captures the moment. His images present life
as we know it, caotic, confusing, and solitary. They leave the viewer
wanting to know the end of the story.
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THOM
DEVITA
Thom's
power came from the mix of natural street energy represented by
a myriad of curbside found objects, mostly parts of things broken
or discarded, combined with the considerable energy of reinterpreted
tattoo art and related imagery and process such as ink drawing and
water color.
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Nick Bubash
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BILL
FICK
These
characters are works in progress and come from his fascination with
greed, vanity and avarice. They are modern-day moralities; heroes,villains
and monsters in a scruffy oddball world. |
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TOM
HUCK
Huck's
cut is unforgiving, relentless, and maniacal. Darks and lights blink
like camera flashes, and every line juts out at an angle. Just about
nothing is on the vertical or horizontal, it just seems, except
the block itself.
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Fay Hirsch, editor of Art On Paper
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HOLLY
GREENBERG
"Everyday,
each and everyone of us sorts through the visual data of our world
and makes assumptions based on our experiences or preconceptions.
As an artist I enjoy turning those assumptions slightly on edge
to show things, words, places in a new light. Humor and sexuality
can be found underneath everything, if you just twist it enough."
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GRONK
Gronk helped create the "underground"
of East Los Angeles. Like many other Chicano artists, Gronk survived
and flourished by acknowledging and juxtaposing images from two
cultures at constant metaphysical odds with each other
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Max Benavidez, Chicano Visions, American Painters on the Verge
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ALEXA
HOROCHOWSKI
Alexa's
work is a exploration of the dichotomy of her bi-cultural, Argentinean-Midwest
experience. The work crosses culture and class much in the way that
society crosses borders and class strata throughout ones life.
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SEAN
STAR WARS
Clowns, Hot Dogs, and the Renaissance. Just a few of the things
that one finds Looking at Star Wars prints. They have amaniacal
quality that leaves the viewer guessing.
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Jon
Langford
Langford's work, is the visual equivalent of hearing an old Hank
Williams record, slightly scratched and popping on an old record
player in an empty bar room in the middle of Nowheresville, USA.
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DENNIS
NECHVATAL
The overwhelming reason one is drawn to the
idiosyncratic works of Dennis Nechvatal is the fact that he has
the moxie to pull them off. The are unfashionable, phantasmagorical,
esthetically gauche, and highly imaginative. But it takes more than
Nechvatal's disturbing brand of courage to make such paintings work,
and he has the raw talent to bring them off.
-ArtForum
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DENNIS
SCHOMMER
Interestingly,
Schommer has an innocent, childlike view of nature. He sees faces
and figures in the energetic, voluptuous lines of wind,Waves, shadows,
and trees.
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TOM
REED
Tom
Reed builds pictures on a ground that shifts as if made of sand.
Sand is not really solid, when taken as a whole, but solid enough
to make a picture on. It does not need to be solid, because like
a oil well built on the shifting sands of the desert, the point
of is not to stay in one place.
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JENNY
SCHMID
Her work combines the old and the new, techniques
developed hundreds of years ago with ones just created. The images
swarm with ideas and dreams, they project confusion within calm
and tell everything there is to know about subjects. Jenny's work
is surreal with a touch of Chicago Imagism.
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