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What is a print?

ADRIENNE ARMSTRONG
This series of prints are each a coming of age tale to be discovered by the viewer.

 

 

MICHAEL BARNES
"…Michael Barnes, an artist whose creature representations on paper are both creepy and compassionate. … Hanging, tied, stretched, mounted as trophies, the pathetic figures leave much to the imagination."

- Carl Glassman, Editor, The Tribeca Trib

MARY BERO
Every once in a while an artist comes along and forces us to look at art a whole new way. Mary Bero has done just that she takes the proverbial straw and spins it into gold with her highly detailed works of thread, cloth, and paper.

NICK BUBASH
A tattoo artist turned fine artist who graduated from the Pennsylvania Academy of Fine Arts, Bubash informs his work, skillfully executed in a variety of mediums, with a mélange of cultures harmoniously blended together.

- Caprice Stapley, Kansas City Star

LISA BULAWSKY
The subject of my work could fit under some droll and inclusive title in the humanities like The Psychology of Culture or Psycho-American Studies. I do consider my work to be reflective, if not diagnostic, of the human condition.

STEVE CAMPBELL
Steve Campbell knows how to captures the moment. His images present life as we know it, caotic, confusing, and solitary. They leave the viewer wanting to know the end of the story.

THOM DEVITA
Thom's power came from the mix of natural street energy represented by a myriad of curbside found objects, mostly parts of things broken or discarded, combined with the considerable energy of reinterpreted tattoo art and related imagery and process such as ink drawing and water color.

- Nick Bubash

BILL FICK
These characters are works in progress and come from his fascination with greed, vanity and avarice. They are modern-day moralities; heroes,villains and monsters in a scruffy oddball world.

TOM HUCK
Huck's cut is unforgiving, relentless, and maniacal. Darks and lights blink like camera flashes, and every line juts out at an angle. Just about nothing is on the vertical or horizontal, it just seems, except the block itself.

- Fay Hirsch, editor of Art On Paper

HOLLY GREENBERG
"Everyday, each and everyone of us sorts through the visual data of our world and makes assumptions based on our experiences or preconceptions. As an artist I enjoy turning those assumptions slightly on edge to show things, words, places in a new light. Humor and sexuality can be found underneath everything, if you just twist it enough."

GRONK
Gronk helped create the "underground" of East Los Angeles. Like many other Chicano artists, Gronk survived and flourished by acknowledging and juxtaposing images from two cultures at constant metaphysical odds with each other

- Max Benavidez, Chicano Visions, American Painters on the Verge

ALEXA HOROCHOWSKI
Alexa's work is a exploration of the dichotomy of her bi-cultural, Argentinean-Midwest experience. The work crosses culture and class much in the way that society crosses borders and class strata throughout ones life.

SEAN STAR WARS
Clowns, Hot Dogs, and the Renaissance. Just a few of the things that one finds Looking at Star Wars prints. They have amaniacal quality that leaves the viewer guessing.

Jon Langford
Langford's work, is the visual equivalent of hearing an old Hank Williams record, slightly scratched and popping on an old record player in an empty bar room in the middle of Nowheresville, USA.

DENNIS NECHVATAL
The overwhelming reason one is drawn to the idiosyncratic works of Dennis Nechvatal is the fact that he has the moxie to pull them off. The are unfashionable, phantasmagorical, esthetically gauche, and highly imaginative. But it takes more than Nechvatal's disturbing brand of courage to make such paintings work, and he has the raw talent to bring them off.

-ArtForum

DENNIS SCHOMMER
Interestingly, Schommer has an innocent, childlike view of nature. He sees faces and figures in the energetic, voluptuous lines of wind,Waves, shadows, and trees.

 

TOM REED
Tom Reed builds pictures on a ground that shifts as if made of sand. Sand is not really solid, when taken as a whole, but solid enough to make a picture on. It does not need to be solid, because like a oil well built on the shifting sands of the desert, the point of is not to stay in one place.

JENNY SCHMID
Her work combines the old and the new, techniques developed hundreds of years ago with ones just created. The images swarm with ideas and dreams, they project confusion within calm and tell everything there is to know about subjects. Jenny's work is surreal with a touch of Chicago Imagism.

 
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